This is what ever Multiply decides to 'export'. There will be no new posts here, this is for every thing from Multiply and 360 that the 'export tool' safely delivers.
Wednesday, 29 June 2011
Sunset over my garden
Tuesday, 28 June 2011
Flowers in my garden

After so much rain and humidity every thing is suddenly flourishing in the garden. My garden is mostly herbs with some fruit and veg but there are also a coupl;em of colourful corners..............
Garden 2011 no10
At last the hot humid and wet weather has gone and we have lovely warm sunshine. It’s not forecasted to last long so guess I better make the most of it while I can.
Think I understand why the rainforest is so lush………we have had what seems like mini rainforest conditions here in Scotland and the effect on the garden is incredible. Every thing is fresh and green and blooming.
My herbs are really thriving; I planted a lot of new ones earlier this year. My one potato barrel is doing well, I wish I had planted more potatoes because the little new potatoes taste wonderful, so much better than shop bought ones.
I think its going to be a very poor harvest, I’ll be lucky to get enough to make one pot of jam, but considering the rain/ wind/ frost damage I’m surprised the fruit canes survived at all and with luck, they will be bigger and stronger next year and the harvest will be better. Even with out the awful conditions they are all young and not fully mature.
So I bought an eco friendly, non electric, hand mower. I thought I could save on electric and get some exercise all at the same time.
Trouble is…… I HATE self assemble……………..but this one was quite easy.
Sunday, 26 June 2011
Tadpole question feeling less steressed now, been playing in the garden, weather weird, its hot and clammy and keeps raining, the monsoon season comes to Scotland ! Anyway... about the tadpoles... does anyone know why some tadpoles seem to get bigger and bigger but don't grow legs? Is this normal ?
Ahgggggg kept off Multiply all day yesterday for 'maintenance', and now..........spent ages composing my 'art sunday' post... and it refuses to post. Claims there is 'no data' on page. Guess i should be happy this is working. So...........if there is no post from me today, you know why :-)
Thursday, 23 June 2011
After the rain Thursday 23 June 2011
I've already said, it has rained all day Tuesday, all day Wednesday and all day today (Thursday). It finally stopped raining about 9.00pm. At which point I stopped pacing like a caged animal and went for a walk. These are taken along what we call 'the nature trail', or 'along the burn', the kids call it 'the dammie'.........I don't know why. It is an area that used to support literally hundreds of flax mills in the nineteenth century. Now it’s given over to pleasant path ways, wild plants, blackberries and a multitude of wildlife.
The plants are just some of the flowers I saw in the fading light. The buildings are mill buildings now either empty and semi derelict or used as storage or by industry. The water is the old burn which, 150 years ago, made this a wealthy town by powering all those mills that sprang up along its banks. The reason the water is so brown is because the excessive rainfall has swept mud and debris down from the hills. Usually the water is clear and you can see fish in there. The rather odd picture in the middle is a strange relief design an engineering company has put up along one of the old buildings it now occupies. I don’t know how long it has been there but I’ve never noticed it before.
It was just so good to get out again.
How I spent the Summer Solstice 2011
On Tuesday not only did I want to see the sun rise, I also wanted to see it set, so I stayed up and waited for sunset. Officially that was 10.05pm, but it stayed light much later than that, in fact it never actually gets dark at this time of year. I was awake, and I was looking out of my window, but by that time it was far too wet to go out into the garden. I saw the sun drop below the rooftops through the pouring rain.
While I sat indoors, watching the rain, waiting for the sun to set on the longest day, I started to draw the rough outline of my Green Man onto my specially chosen slice of wood.
And that was how I spent the solstice…………….
Sunday, 19 June 2011
Beaver Lake Cree Nation fight against Tar sands development.
Found this video, its so very sad, how many times do people need to be reminded, we don't need to find ever more ways to use ever more fossil fuels, we need to find new ways to live with less................
The Co-operative's Toxic Fuels campaign aims to stop the exploitation of unconventional fossil fuels, such as tar sands and shale gas.
http://peopleandplanet.org/navid12017
Our campaign champions the cause of the Beaver Lake Cree Nation in Alberta, Canada, who are taking on the Albertan and Canadian Governments, and the world's largest oil companies, to stop the expansion of tar sands developments on their lands.
Art Sunday; Midsummer
My weekend has been spent with family. My daughter who lives a couple of hours away was here for the weekend, she spent friday night with me and then partied with her sisters on Saturday while I looked after the children. Now they have all gone back to their different homes and I don't expect I'll see that daughter again for another couple of months. When you are used to them all living close by it feels very odd not having them around.But it was a great weekend, can't believe its almost midsummer, another couple of days and it will be the longest day. To me summer is about BBQ and beach, and holidays, and kids, and family. Also about ancient traditions and earth magic. To others, summer, especially midsummer, has quite different meanings. After every one left I started thinking about midsummer, and how many different ways it has been portrayed by different artists. My favourite, and the one that captures my meaning of summer has to be the James Guthrie painting titled Midsummer; ( below) I love the light in this painting.

And after a little googleing....here are some of the other ways in which artists have represented 'Midsummer'.
Aus Heures Perd 'Midsummer Late Lunch ', I like the feel of this, can imagine taking lunch in the sun in a lovely french pavement cafe.
Albert Joseph More 'Midsummer'...........a very popular choice.
Edward landseer 'Midsummer Nights Dream'...........another well known one.
Walter Withers 'Midsummer', I like the way the coloures look washed out by the sun here.
William Frederic Witherington 'Midsummer'...........so very 'English' looking.
Anders leonhard Zorn 'Midsummer Dance'..........it just looks ...'joyful'
Edward Robert Hughes 'Midsummer Eve'..............for some people midsummer is the most magical time of year.
Daniel Gerhertz 'Midsummer'.............not a very well known painting, but I liked the look on this young girls face. And that's my Midsummer collection.
Wednesday, 15 June 2011
Hospitalfield House; The Building.

Pictures from my weekend visit to Hospitalfield House. This is the first set, the exterior of the building showing the many interesting architectural details.
Information from the council website
http://www.angus.gov.uk/history/features/buildings/hospitalfield.htm
Hospitalfield House
''Sir Walter Scott’s Monkbarns''
Hospitalfield was originally a plague and leprosy hospice, founded as the Hospital of St. John in the mid-1200s. The present building may contain fragments of the original building (just to the left of the front door) but what we see today dates from the mid-1800s. Sir Walter Scott’s fictional "Monkbarns" from "The Antiquary" was based upon the early nineteenth century Hospitalfield House.
Patrick Allan and Elizabeth Fraser
In 1843 Patrick Allan married the widowed heiress to the Hospitalfield estate, Elizabeth Fraser. He was the son of a weaving merchant in Arbroath. After initially embarking on a commercial career he changed to studying art in Edinburgh and then on the Continent. On their marriage he changed his name to Patrick Allan-Fraser. He embarked on a programme of estate management which quickly restored the family fortunes.
Estate improvements
Between 1850 and 1857 he extended and remodelled the building using stone from his own quarry at Drumyellow. He converted an eighteenth century barn into a gallery, added a large wing and tied the whole composition together with a five storey bartizan stair tower. The building is full of interesting architectural motifs and high quality stone carvings. There are crenellated parapets, oriel windows and craw step gables. The house is an architectural extravaganza.
Arts and Crafts influence
Allan-Fraser was a firm advocate of the Arts and Crafts movement and this is reflected in the building, inside and outside. Allan-Fraser was a visionary man who saw his house as a centre of inspiration and encouragement of the arts. He believed in encouraging and enlightening future young artists and musicians. He had a Gallery built which still houses a large collection of paintings, Victorian sculpture and fine wood-carvings to act as inspiration. He set up the Patrick Allan-Fraser of Hospitalfield Trust to give support and encouragement to young artists
The interior
The interior is dazzling. The house has a hammer-beam roof, Romanesque dado arcading and woodcarving of international importance. It also houses an important painting and sculpture collection. Hospitalfield House is a "must see".
Monday, 13 June 2011
Just because.....................
Sunday, 12 June 2011
Hospitalfield House open doors day
http://www.hospitalfield.org.uk/
HospitalField House had one of its open doors days today. These days give the public the opportunity to see inside this historic building. The weather was beautiful, I listened to a short piano recital given by a young Russian pianist in the beautiful gallery of the main house. There was a conducted tour around the interior of the house

and the opportunity to take plenty of photos around the grounds and exterior of the house.

The icing on the cake was a re-enactment of the historic signing of the Declaration of Arbroath performed by the Arbroath Abbey historic society.
This video was made a couple of years ago at the Abby but its more or less the same as I've just sat through this afternoon.
Part of what used to be the estate lands are now used as an organic gardening project, I had the opportunity to have a good look around there as well.

http://www.hopegardentrust.org.uk/
As you can imagine, I took many, many, many photos, all of which I will put into albums over the next couple of days. This is just a little taster of my day out.
Saturday, 11 June 2011
weekend music; Sinéad O'Connor - Something Beautiful (Jeremiah)
Sinéad Marie Bernadette O'Connor, born 8 December 1966, is an Irish singer-songwriter. She rose to fame in the late 1980s with her debut album The Lion and the Cobra and achieved worldwide success in 1990 with a cover of the song "Nothing Compares 2 U".This song is 'Jeremiah' from her 2007 album 'Theology'.
Art Sunday DANTE GABRIEL ROSSETTI
A while ago I visited a friends page and one of her friends left this poem in the comments. I recognized the poem, but its not one of Rossetti’s better known poems so when I decided I would like to post it, I had to spend sometime chasing it around the net. (thank you Bernard) And having spent a while ‘chasing Rossetti around the net’ I finished wanting to post a whole lot more than one poem. As you go through this, please click the pictures, you can see so much more detail
Most of the information here, apart from the actual poem, is from the
Rossetti archive site http://www.rossettiarchive.org/index.html
This is an endless treasure trove of information about Rossetti, the tiny amount I have here is nothing compared to what you will find there, it’s worth visiting.
Sudden Light
I HAVE been here before,
But when or how I cannot tell:
I know the grass beyond the door,
The sweet keen smell,
The sighing sound, the lights around the shore.
You have been mine before,—
How long ago I may not know:
But just when at that swallow's soar
Your neck turned so,
Some veil did fall,—I knew it all of yore.
Has this been thus before?
And shall not thus time's eddying flight
Still with our lives our love restore
In death's despite,
And day and night yield one delight once more?
Sudden Light was written in about 1853/4 and first published in 1863 in ‘’Poems: An Offering to Lancashire’’. It appeared with two distinctly different final stanzas, both of which can be found in the Doughty's edition The above version is the later one, as it appeared in the 1881 Poems. A New Edition.
The older final stanza, as found in the 1870 edition of Poems, is:
Then, now,—perchance again! . . . .
O round mine eyes your tresses shake!
Shall we not lie as we have lain
Thus for Love's sake,
And sleep, and wake, yet never break the chain?
In the 1870 text, Sudden Light appeared as Song IV (in addition to the title) along with fifty sonnets and ten other 'Songs' in a section titled: Sonnets and Songs towards a work to be called 'The House of Life'.
POEM INFORMATION FROM
http://www.potw.org/archive/potw52.html
Rossetti was painter, designer, writer, and translator who was, according to leading artists of the time ‘’the most important and original artistic force in the second half of the nineteenth century in Great Britain’’. Whistler called him ‘the King’ He was born and died in London, rarely travelled outside of London and only left the UK briefly on three occasions. His father, Gabriele Rossetti, (1783-1854), was a serious Dante scholar and Italian political exile, Rossetti grew up bilingual with a love and admiration for many things Italian, including Dante. In 1848 the Pre-Raphaelite movement was founded, Rossetti produced his first important painting while also working on a series of writings, including "The Blessed Damozel" and most of his Italian translations.
He published translations of famous works by Dante in 1861 as ‘’The Early Italian Poets’’. The book was revised and reissued in 1874 under the new title ‘’Dante and His Circle’’.
He became the central figure in the formation of the group of writers and artists who were to name themselves ‘’The Pre-Raphaelite Brotherhood’’. He seems to have known, and been known too, every notable artist of the time, and they all respected and admired him. He was apprenticed to Ford Madox Brown. He was friends and fellow ‘Pre-Raphaelite’’ with William Holman Hunt and John Everett Millais. Rossetti and Ruskin became close friends and for a time Rossetti played the role of pupils to the older Ruskin.. Even Walter Pater had great respect for Rossetti. 
In 1850 he met Elizabeth Siddal (1829-1862), their relationship was intense, they were both temperamental and prone to depression. Rossetti was besotted by this young model and drew her obsessively and compulsively, there were literally hundreds of small sketches by Rossetti of the lovely Lizzie.
Another good website is
http://lizziesiddal.com/portal/?page_id=737
This one is devoted to Lizzie Siddal wife of Rossetti and writer/ artist in her own right.
Lizzie was discovered by the artist Walter Deverell who painted her as Viola in his depiction of Shakespeare’s Twelfth Night. Lizzie went on to model for other Pre-Raphaelite artists and is most commonly recognized as Ophelia in the painting by John Everett Millais. Once introduced to Rossetti he fell madly, utterly and completely in love with her, he drew and painted her obsessively but also encouraged her in her own artwork and poetry. Their relationship was intense, they had a ten year engagement followed by a brief and terribly sad marriage.
The couple suffered a stillborn child followed by a miscarriage. Lizzie was seriously addicted to Laudanum and died in 1862 due to an overdose. Rossetti, engulfed in romantic misery and overwhelmed by grief, buried the only manuscript of his poems with Lizzie. The manuscript apparently nestled in Lizzies famous long red hair. Seven years later, he had her coffin secretly exhumed in order to retrieve the poems for publication. There is a myth regarding the exhumation that Lizzies hair was exactly as it had been at her burial, she remained beautiful and her body was uncorrupted. The poem ‘Sudden Light’ was written about Lizzie and was one of the poems to be buried with her.
There were other beautiful models in the life of Rossetti, but he never remarried. Fanny Cornforth became Rossetti's principal model and then later it was Jane Morris.
After the death of Lizzie he suffered with depression and hypochondria. He began to shut himself away. He narrowed his social circle, stopped exhibiting, and began drinking to excess and taking drugs ( Chloral). By 1867 his health was deteriorating and he thought he was going blind. It was at this point he became addicted to chloral.
Despite Rossetti’s frail health , he went on to produce some of his greatest artistic and literary works during this period. Rossetti's brother William Michael called this last phase of Rossetti's life "the chloralized years". His health was broken and his mind tormented with guilt and regrets, Rossetti appeared to give up, he seemed to slowly die.
After his last volumes were published he made two vain efforts to restore his health. He went to the Lake District in the fall of 1881 and later, on doctor's advice, went to stay with a friend at his country house in Birchington. He died while he was there.
One of my favourite Rossetti paintings is this one ‘’St. George and the Princess Sabra’’, it was painted by Rossetti in 1862. Lizzie died while modeling as Princess Sabra.
I find the pose so sad, she looks like a woman saying goodbye to the man she loves. And the poem, ‘’Sudden Light’’ speaks the sadness seen in the painting. She overdosed on laudanum as this was being painted, I wonder how he managed to finish it. Below, portrait of rossetti by George Watts

Dante Gabriel Rossetti - Sudden Light - Read by Charles Westbury



