Art Sunday, Drinking

 

Art Sunday (29.06.08), Drinking

The Orange Blind

by Francis Campbell Boileau Cadell (1883–1937)

THE PAINTING

The painting I have chosen for the theme ‘Drinking’ is ‘The Orange Blind’, by Francis Cadell. This shows a well dressed fashionable lady sat drinking tea in an Edinburgh interior.

 

The whole scene typifies fashionable Edinburgh of early 20^th Century. The tea service is silver, the black and gold screens have a Japanese, exotic look to them, there is a sedate and discreet piano player and the furniture exudes quality and style (probably French). It is interesting to note that while Cadell was heavily influenced by the work of contemporary French artists; Cadells subject drinks tea from a silver tea set but the subjects of French paintings were much more likely to be depicted with a glass of wine. This is possibly a reflection of the influence of the ‘Kirk’ (church) in Scottish society of the time. The painting gets its name from the huge bright orange blind covering the high window in this interior. This blind sets the tone of the painting. If you can imagine this painting without that blind, or with the blind toned down, dulled or diluted you can see the importance of colour in this painting. Without this block of solid orange the painting loses every thing. It  becomes a rather ordinary record of middle class Edinburgh society, but WITH the blind; it’s a vibrant piece of art. Which is another reason for choosing this particular painting, it does demonstrate exactly why this small group of painters were known collectively as the Scottish Colourists.

THE ARTIST

Cadell was born in Edinburgh but from the age of 16, he studied in Paris at the Académie Julian. While there he was in close contact with the French avant-garde painters of the day and his exposure to work by the early Fauvists, and in particular Matisse, became his most important influence. Once returned to Scotland, he exhibited in Edinburgh, Glasgow, and London on a regular basis. He painted landscapes, interiors, still life and figures in both oil and watercolour. He is most noted for his use vibrant waves and solid blocks of colour. He enjoyed the landscape of Iona (Scottish Island) enormously, which he first visited in 1912 and features prominently in his work. During the 1920s he spent several summers with Samuel Peploe, another Scottish Colourist, on painting trips to Iona.

THE SCOTTISH COLOURISTS

At the turn of the centaury a small group of Scottish painters collectively known as ‘The Colourists’  were among the first to introduce the intense colour of the French Fauve movement into Britain. This Group of four Scottish artists, Francis Cadell, Leslie Hunter, Samuel Peploe and the leading figure John Duncan Fergusson were greatly influenced by work of contemporary French artists.Their work was not highly regarded when it was first exhibited in the early years of the twentieth Century, but by the late 20th Century it had become popular both at home and abroad. Their distinctive style had a formative influence on contemporary Scottish art. The Colourists visited and trained in France, the influence of the French Impressionists such as Monet, Matisse, and Cezanne is easily seen in their work.  This French influence is mixed with elements of traditional Scottish painting to give the unique style that The Colourists became renowned for. They worked with the vivid colours of French painting to produce a distinctive Scottish style. The Scottish Colourists continued the work of their predecessors, the Glasgow Boys. There seems to be a direct link between the art of the ‘Glasgow Boys’ and the art of the ‘Scottish Colourists’. The Glasgow Boys were revolutionary in their approach to art in late 19^th century/ early 20^th century and the Colourists took the movement forward into the middle/late 20^th century.

I have searched for a decent sized photograph of this painting but unfortunately I could only find this rather small reproduction of it. This is such a shame because I have seen this painting in the Kelvingrove Gallery, Glasgow and it really is a wonderful piece of art when seen hanging in the gallery. I have found some pictures of other pieces of his work but unfortunately none of these pictures is very big. You will just have to use your imagination and think big.

 

 

http://forgetmenot525.multiply.com/photos/album/65/Cadell_Scottish_Painter

 

 

http://www.flickr.com/photos/forget-me-not5275/sets/72157605906157708/