Showing posts with label poetry. Show all posts
Showing posts with label poetry. Show all posts

Friday, 15 June 2012

Celebration of blue; Pale Blue Eyes.

We are a couple of weeks away from the longest day, midsummers day, by the end of the month we will be heading back into darkness and another winter. It feels as if last winter has never left us. We have had a nice day here and there, sometimes even a couple of days, or at best a week, but then we descend back into the cold the wet and the miserable. A friend said to me we have lovely long summer evenings, and so we do, but long summer evenings are not the slightest use if it’s too cold to go out and enjoy them. I’m sitting here, at my computer, it’s a few minutes before 11 and it’s almost dark. If you look north you can still see the glow of evening light. Usually I love these long summer evenings but today I’m indoors, wearing winter woolies and turning up the heating. The song ‘Pale Blue Eyes’ has been playing over and over in my head all day. I’ve always liked this song. It made me start thinking about ‘blue’, I guess I’m a little ‘blue’ at the moment ( both literally and metaphorically). This lack of summer is enough to make any one feel ‘blue’.

But; ‘blue’ can be good too, here is a selection of the ‘good’ blues this melancholy mood has led me too. ……….

A collection of ‘Blue’ paintings.

 First here are the well known favorites’; the Blue Dancers by Degas,
followed by a couple of Picasso

and a couple of Monet.


The photo at the top of the page is of the American abstract expressionist painter and artist Helen Frankenthaler sitting amidst her art in her New York City studio. Photographed by Gordon Parks for LIFE magazine ca. 1956.

Polarbearprince by Sweedish artist Nils Dardel.
Nils Elias Christoffer von Dardel (sign: Nils Dardel) (1888 – 1943) was a Swedish post-impressionist painter born in Bettna, Södermanland, Sweden. After studying at the Royal Swedish Academy of Arts in Stockholm, he was one of a group of young artists who went to Paris in around 1910.

In the Garden my Richard Emil Miller
Richard Emil Miller (1875-1943), American Impressionist painter, studied at the St. Louis School of Fine Arts, & then sailed for Paris to study at Academie Julian (1898–1901). Paris was the art capital of the 19th-century. Its museums, exhibition spaces, art academies, & the manner in which the arts were perceived as an integral part of everyday life drew painters, sculptors, & architects from around the world to the French capital.

The flower meadow by Lynn Rodgie
Lynn Rodgie is constantly inspired by her environment; the Scottish countryside around her gives endless ideas for paintings. As she says; ‘The soft rolling hills of the borders is perhaps not as spectacular as the rugged north or as picturesque as the Lake District, but it has a gentle pull that grows on you over time. The geometric shapes and colours of the ploughed fields, rows of hay bales in a golden field are visions that will get me itching to pick up a paintbrush'.


Farm Blue by John Piper
John Piper paintings are always in oils on board or on canvas. A restricted use of colour and an emphasis on line and form, set within the Cornish landscape dominate the paintings. John paintings often have a series of thin glazes applied one upon another. Sometimes earlier drawing is allowed to show through; whilst at other times the painting is deeply scratched and scraped, providing an intensity of depth and colour. At other times, particularly with smaller paintings, paint is applied more opaquely and with less over-drawing.


A poem by Anne Bronte
The Bluebell.

( watercolour by Clair Winteringham)

A fine and subtle spirit dwells
In every little flower,
Each one its own sweet feeling breathes
With more or less of power.
There is a silent eloquence
In every wild bluebell
That fills my softened heart with bliss
That words could never tell.
( Barbara Bagley)

Yet I recall not long ago
A bright and sunny day,
'Twas when I led a toilsome life
So many leagues away;
( Barbara Bagley)
That day along a sunny road
All carelessly I strayed,
Between two banks where smiling flowers
Their varied hues displayed.


Before me rose a lofty hill,
Behind me lay the sea,
My heart was not so heavy then
As it was wont to be.
( Barbara Bagley)
Less harassed than at other times
I saw the scene was fair,
And spoke and laughed to those around,
As if I knew no care.
( Anne Mortimer)

But when I looked upon the bank
My wandering glances fell
Upon a little trembling flower,
A single sweet bluebell.
(John Connolley)
Whence came that rising in my throat,
That dimness in my eye?
Why did those burning drops distil --
Those bitter feelings rise?
(Matthew Palmer)
O, that lone flower recalled to me
My happy childhood's hours
When bluebells seemed like fairy gifts
A prize among the flowers,
(Sally Stafford)
Those sunny days of merriment
When heart and soul were free,
And when I dwelt with kindred hearts
That loved and cared for me.
( water colour by Mulligan Greta)
I had not then mid heartless crowds
To spend a thankless life
In seeking after others' weal
With anxious toil and strife.
'Sad wanderer, weep those blissful times
That never may return!'
The lovely floweret seemed to say,
And thus it made me mourn.

And the music that began this tour of the blue………………Pale Blue Eyes



Wednesday, 17 June 2009

More Poetry; Goodbye Yellow Brick Road

Elton John

Goodbye Yellow Brick Road

lyrics by Bernie Taupin,

When are you gonna come down


When are you going to land
I should have stayed on the farm
I should have listened to my old man


You know you can't hold me forever
I didn't sign up with you
I'm not a present for your friends to open
This boy's too young to be singing the blues

So goodbye yellow brick road
Where the dogs of society howl
You can't plant me in your penthouse
I'm going back to my plough


Back to the howling old owl in the woods
Hunting the horny back toad
Oh I've finally decided my future lies
Beyond the yellow brick road


What do you think you'll do then
I bet that'll shoot down your plane
It'll take you a couple of vodka and tonics
To set you on your feet again
Maybe you'll get a replacement


There's plenty like me to be found
Mongrels who ain't got a penny


Sniffing for tidbits like you on the ground

 

Tuesday, 16 June 2009

Poetry Wednesday, The Crocodile

 

(above cayman by ariane urwick)

This has been a difficult week. The bigger better and much improved Multiply upgrade had proved a little difficult for some people. The gremlins have been out to play in force, they have wrecked havoc every where. And so I thought a little light relief was needed, who needs serious at a time like this. ?? 

(Mr Crok by Benji)


How doth the little crocodile...
poem by Lewis Carroll


(The carpet crocodile by debbie Grey)

How doth the little crocodile
Improve his shining tail,
And pour the waters of the Nile
On every golden scale!

(a crocodile by Joel benjamin)

How cheerfully he seems to grin

 How neatly spreads his claws,
And welcomes little fishes in,
With gently smiling jaws!  

 
(The Croc by Patricio Marcelo Balanovsky)

Tuesday, 2 June 2009

Poetry wednesday; Summers day

POETRY WEDNESDAY;
LETS KEEP IT TOPICAL,

''SUMMER DAY''

Hot summer day
Carry me along
Oh, hot summer day
Please carry me along
Hot summer day
Carry me along
To its end where I begin

Long summer dream
Sliding round my mind
Those long summer dreams
Are leaving me behind
Hot summer day
Carry me along
To its end where I begin

Circling like a river
Over brightly colored stones
Breaking up my soul
And taking part of me home
Leaving the other half
To tumble all alone
Love, love, where did you go?

Hot summer day
Carry me along
To its end where I begin
Those long summer dreams
Still spinning round my mind
And they end where they begin

And I want to grab that river
And stop the love that's dying
Because I know that somewhere
Deep inside my soul you're still lying
Waiting to awaken
And shake that river's flow
Love, love, where did you go?

They told me that the sun turned green
I said I didn't know
And they told me that the moon turned blue
And I said it didn't show
And they told me that I looked a fool
And I said I'd let that go
But when they told me that our love was dead
I had to turn and go

Oh love, love, love, love
Love, where did you go?

Hot summer day
Carry me along
To its end where I begin
Long summer dreams
Sliding round my mind
And they end where they begin

Circling like a river
Over brightly colored stones
Breaking up my soul
And taking part of me home
Leaving the other half
To tumble all alone
Love, love, where did you go?  


The photos were all taken in and around Las Vegas, Nevada.

It's a Beautiful Day was a band formed in San Francisco, California in 1967, the brainchild of violinist and vocalist David LaFlamme. The band's debut album, It's a Beautiful Day, released in 1969, featured the tracks "White Bird", "Hot Summer Day", "Time Is" and "Bombay Calling".



Shakespear;
Shall I compare thee to a summer day??

1.    Shall I compare thee to a summer's day?
2. Thou art more lovely and more temperate:
3. Rough winds do shake the darling buds of May,
4. And summer's lease hath all too short a date:
5. Sometime too hot the eye of heaven shines,
6. And often is his gold complexion dimmed,
7. And every fair from fair sometime declines,
8. By chance, or nature's changing course untrimmed:
9. But thy eternal summer shall not fade,
10. Nor lose possession of that fair thou ow'st,
11. Nor shall death brag thou wander'st in his shade,
12. When in eternal lines to time thou grow'st,
13. So long as men can breathe, or eyes can see,
14. So long lives this, and this gives life to thee.

Art work by Maryse Casol

Maryse Casol is a French contemporary artist who uses the method of Fauvism, a style of painting that lasted 7 years during the first part of the XXth century. Known for her bright and vivid colours, she continues the legacy of artists such as Matisse, Derain or Vlaminck whom were called Fauves (French for wild beasts) by art critic Louis Vauxcelles in 1905. Maryse Casol lives in Baho, a small village in the south of France, near Perpignan city. She exhibits her works in New York, Paris, Monaco, London, Montreal and Dubai.

 

 

Wednesday, 20 May 2009

Poetry Wednesday 'IF'



POETRY WEDNESDAY,
and a little inspiration for all of us.
'if' by Rudyard Kipling

If you can keep your head when all about you
Are losing theirs and blaming it on you,
If you can trust yourself when all men doubt you,
But make allowance for their doubting too;
If you can wait and not be tired by waiting,
Or being lied about, don't deal in lies,
Or being hated, don't give way to hating,
And yet don't look too good, nor talk too wise:

If you can dream - and not make dreams your master,
If you can think - and not make thoughts your aim;
If you can meet with Triumph and Disaster
And treat those two impostors just the same;
If you can bear to hear the truth you've spoken
Twisted by knaves to make a trap for fools,
Or watch the things you gave your life to, broken,
And stoop and build 'em up with worn-out tools:

If you can make one heap of all your winnings
And risk it all on one turn of pitch-and-toss,
And lose, and start again at your beginnings
And never breath a word about your loss;
If you can force your heart and nerve and sinew
To serve your turn long after they are gone,
And so hold on when there is nothing in you
Except the Will which says to them: "Hold on!"

If you can talk with crowds and keep your virtue,
Or walk with kings - nor lose the common touch,
If neither foes nor loving friends can hurt you,
If all men count with you, but none too much;
If you can fill the unforgiving minute
With sixty seconds' worth of distance run,
Yours is the Earth and everything that's in it,
And - which is more - you'll be a Man, my son!
Rudyard Kipling (1865-1936)

if - Rudyard Kipling
Rudyard Kipling's inspirational poem - 'If'

Rudyard Kipling's (1865-1936) inspirational poem 'If' first appeared in his collection 'Rewards and Fairies' in 1909. The poem 'If' is inspirational, motivational, and a set of rules for 'grown-up' living. Kipling's 'If' contains rules for life for grown ups. Lines from Kipling's 'If' appear over the player's entrance to Wimbledon's Centre Court – an indication of the poem's timeless  quality
 'If' can be very sad if the reader knows of his awful early life and contrasts this to the inspiration found in the poem. He was unloved and sent away by his parents. He was abused by his foster mother and a failure school. In later life the deaths of two of his children left him destroyed.
When his talents were recognized he turned down many honours  including a knighthood, Poet Laureate and the Order of Merit, but in 1907 he accepted the Nobel Prize for Literature.

ART WORK
Frani Keeley — Small paintings about trees,
These little trees by artist Frani Keeley are unassuming but beautiful and apparently inspired by a quotation from the Buddha, I thought the sentiment sits well with this poem.
 

''A tree is a wonderful living organism . . .
it even gives shade to those who wield an axe to cut it down.''
Buddha