Showing posts with label burns. Show all posts
Showing posts with label burns. Show all posts

Thursday, 23 June 2011

After the rain Thursday 23 June 2011




I've already said, it has rained all day Tuesday, all day Wednesday and all day today (Thursday). It finally stopped raining about 9.00pm. At which point I stopped pacing like a caged animal and went for a walk. These are taken along what we call 'the nature trail', or 'along the burn', the kids call it 'the dammie'.........I don't know why. It is an area that used to support literally hundreds of flax mills in the nineteenth century. Now it’s given over to pleasant path ways, wild plants, blackberries and a multitude of wildlife.
The plants are just some of the flowers I saw in the fading light. The buildings are mill buildings now either empty and semi derelict or used as storage or by industry. The water is the old burn which, 150 years ago, made this a wealthy town by powering all those mills that sprang up along its banks. The reason the water is so brown is because the excessive rainfall has swept mud and debris down from the hills. Usually the water is clear and you can see fish in there. The rather odd picture in the middle is a strange relief design an engineering company has put up along one of the old buildings it now occupies. I don’t know how long it has been there but I’ve never noticed it before.
It was just so good to get out again.

Sunday, 8 August 2010

ART SUNDAY; Alexander Goudie illustrates Tam o Shanter





In my previous post about Rozelle House in Ayr I deliberately missed out the most important bit. The House is home to a wonderful collection of paintings by Scottish artist Alenander Goudie. These 54 paintings illustrate Burns epic tale Tam o Shanter. I was amazed. To my shame Goudie was not someone I was that familiar with, and I had no idea he had painted such an important collection of paintings.
Background information from

http://www.independent.co.uk/news/uk/this-britain/54-paintings-make-burns-epic-tam-oshanter-intelligible-to-sassenachs-706842.html


Robert Burns' epic poem "Tam O'Shanter" is widely hailed as the Scottish bard's finest work. But one of the greatest and funniest ghost stories ever written is scarcely intelligible to non-Scots because it is written in the rich lowland Scots dialect of more than 200 years ago.
Now an exhibition aims to make "Tam" more accessible, telling the story of his wild, drunken ride across the Brig O'Doon, to escape pursuing witches, in a series of paintings valued at £500,000.

The 54 paintings, al on large canvases,  by the Scottish artist Alexander Goudie, have gone on display at Burns' birthplace, Alloway, near Ayr, and will eventually go on tour throughout the world.

Each painting represents a successive stanza in the poem, which was compared by Sir Walter Scott to Shakespeare's best work and is declaimed around the world at Burns' Supper nights.
Every Scot understands full well: "She tauld thee weel thou was a skellum, / A bletherin, blusterin, drunken blellum." But not many other folk realise that this, one of the easier passages of "Tam O'Shanter", translates as: "She castigated you for what you are, an inebriated waster, all talk, babble and bluster."……………..or words to that effect.
Goudie's paintings, commissioned for the planned but subsequently stalled National Gallery of Scottish Art and Design in Glasgow, were in danger of being sold off in separate lots before the Scottish multi-millionaires Brian Souter and Tom Hunter intervened with £500,000 pounds to keep the collection together.
Its permanent home will be at the South Ayrshire Art Gallery at Rozelle Park, Alloway. The gallery curator Elizabeth Kwasnik said she believed the paintings will attract more visitors than ever to Burns' country. "We also intend getting them out on tour. There are huge Burns' appreciation societies in every country in the world, including China, Russia, Hungary, the Czech Republic and Japan."

THIS ONE ( ABOVE) WAS MY FAVOURITE, THE DRAWING HERE IS OUTSTANDING. 

To view the entire collection, each with the appropriate verse written underneath, visit here. This is well worth the effort of visiting, I loved these paintings as soon as I saw them and  the tiny reproductions you see on your computer screen does them no justice at all. But; you can see what an extraordinarily good draughtperson Goudie was, despite the fact these paintings are almost cartoon like in places, his talent ans skill shine out.
The paintings 

http://www.goudie.co.uk/
http://www.goudie.co.uk/paintings.html#

A little biographical information and some more paintings here.

Alexander Goudie the artist

http://www.alexandergoudie.org.uk/biography.php


Finally, just so it all makes sense, the poem with translation.

http://www.robertburns.org.uk/Assets/Poems_Songs/tamoshanter.htm


the video

http://www.youtube.com/watch?v=a1TpgoqHWbE


 

Tuesday, 27 October 2009

Poetry Wednesday; Address to the toothache

Ohh woe is me

Here I sit, thankfully recovered from the dam cold but in agony with toothache.

Been suffering this way since Saturday morning and it’s taken me from then till now to get an appointment. SO……one hour from now I’ll be sat in the dentist chair. Wish me luck

Will look for some suitable painful art work when I get back.

Ok back now with totally numb face, found some suitable art work,.........this guys work reminds me of toothache  !!

Art work by Christopher Le Brun

Christopher Le Brun RA
Born: 20 December 1951, Portsmouth, UK
Elected RA: 12 December 1996
Category of Membership: Engraver
Christopher Le Brun studied at the Slade School of Fine Art, London from 1970 to 1974 and at Chelsea School of Art, London from 1974 to 1975. From 1976 to 1983, Le Brun was a visiting lecturer at Brighton, Chelsea, Slade and Wimbledon Schools of Art.

More information here. 

http://www.royalacademy.org.uk/academicians/engravers-printmakers-and-draughtsmen/christopher-le-brun-ra,427,AR.html

This translation is not mine, it was found here

http://www.worldburnsclub.com/poems/translations/address_to_the_toothache.htm

Address To The Toothache.
Rabbie Burns

1.
My curse upon your venom'd stang,
That shoots my tortur'd gooms alang,
An' thro' my lug gies monie a twang
Wh' gnawing vengeance,
Tearing my nerves wi' bitter pang,
Like racking engines!

2.
A' down my beard the slavers trickle,
I throw the wee stools o'er the mickle,
While round the fire the giglets keckle
To see me loup,
An' raving mad, I wish a heckle
Were i' their doup!

3.
When fevers burn, or ague freezes,
Rheumatics gnaw, or colic squeezes,
Our neebors sympathize to ease us
Wi' pitying moan;
But thee! - thou hell o' a' diseases,
They mock our groan!

4.
Of a' the num'rous human dools --
Ill-hairsts, daft bargains, cutty-stools,
Or worthy frien's laid i' the mools,
Sad sight to see!
The tricks o' knaves, or fash o' fools --
Thou bear'st the gree!

5.
Whare'er that place be priests ca' Hell,
Whare a' the tones o' misery yell,
An' ranked plagues their numbers tell
In dreadfu' raw,
Thou, Toothache, surely bear'st the bell
Amang them a'!

6.
O thou grim, mischief-making chiel,
That gars the notes o' discord squeal,
Till humankind aft dance a reel
In gore a shoe-thick,
Gie a' the faes o' Scotland's weal
A towmond's toothache.

This is the Translation

My curse upon your venomed sting,
That shoots my tortured gums along,
And through my ear gives many a twinge
With gnawing vengeance,
Tearing my nerves with bitter pang,
Like racking engines!

All down my beard the drools trickle,
I throw the little stools over the mickle,
While round the fire the children cackle
To see me leap,
And raving mad, I wish a Heckling comb
Were in their backside!

When fevers burn, or ague freezes,
Rheumatics gnaw, or colic squeezes,
Our neighbours sympathize to ease us
With pitying moan;
But you! - you hell of all diseases,
They mocks our groan!

Of all the numerous human woes -
Bad harvests, stupid bargains, cutty-stools,
Or worthy friends laid in the crumbling earth,
Sad sight to see!
The tricks of knaves, or annoyance of fools -
You bears the prize!

Where ever that place be priests call Hell,
Where all the tones of misery yell,
And ranked plagues their numbers tell
In dreadful row,
You, Toothache, surely bears the bell
Among them all!

O you grim, mischief-making chap,
That makes the notes of discord squeal,
Till humankind often dance a reel
In gore a shoe-thick,
Give all the foes of Scotland's well
A twelve months toothache.

A small boy recites the poem with much enthusiasm for the dialect.


 

 

return to the tour here

http://lauritasita.multiply.com/journal/item/1528/Poetry_Wednesday_102809_Sign_in_and_take_the_tour_

Saturday, 14 March 2009

Poetry Wednesday; To A Mouse, Burns


"To a Mouse".
On turning her up in her nest with the plough,
November 1785.........
By Rabbie Burns
Sign in and take the tour

http://lauritasita.multiply.com/journal/item/1226/Poetry_Wednesday_031809_Sign_in_and_take_the_tour

Wee, sleekit, cow'rin, tim'rous beastie
O, what a panic's in thy breastie!
Thou need na start awa sae hasty
Wi' bickering brattle!
I wad be laith to rin an' chase thee
Wi' murd'ring pattle!
I'm truly sorry man's dominion
Has broken Nature's social union,
An' justifies that ill opinion
Which makes thee startle
At me, thy poor, earth-born companion
An' fellow mortal!
I doubt na, whyles, but thou may thieve;
What then? poor beastie, thou maun live!
A daimen icker in a thrave
'S a sma' request;
I'll get a blessin wi' the lave,
An' never miss't.
Thy wee bit housie, too, in ruin!
Its silly wa's the win's are strewin!
An' naething, now, to big a new ane,
O' foggage green!
An' bleak December's win's ensuin,
Baith snell an' keen!

Thou saw the fields laid bare an' waste,
An' weary winter comin fast,
An' cozie here, beneath the blast,
Thou thought to dwell,
Till crash! the cruel coulter past
Out thro' thy cell.
That wee bit heap o' leaves an' stibble,
Has cost thee monie a weary nibble!
Now thou's turn'd out, for a' thy trouble,
But house or hald,
To thole the winter's sleety dribble,
An' cranreuch cauld!
But, Mousie, thou art no thy lane,
In proving foresight may be vain;
The best-laid schemes o' mice an' men
Gang aft agley,
An' lea'e us nought but grief an' pain,
For promis'd joy!

Still thou are blest, compar'd wi' me!
The present only toucheth thee:
But och! I backward cast my e'e,
On prospects drear!
An' forward, tho' I canna see,
I guess an' fear!


Paintings by Stephanie MacLean,
Scottish landscape painter
currently living and working in California.


http://www.black-isle.co.uk/smaclean/index.html

http://fineartamerica.com/profiles/stephanie-maclean.html

Stephanie says of herself and her art; ‘’My art is heavily influenced by the simplicity and symmetry which I see in the landscape’’.

‘’Each painting is based on my extensive travels through the countryside that I portray. I paint in my studio using both photography and my knowledge of the specific locations to equally influence the art. As I paint I like to visualize the entire landscape including the contours and valleys not visible in the final painting. My current focus is on contemporary landscape and seascapes. I love to portray the dramatic Northern California scenery where I currectly live, in addition to my native North of Scotland which has a very different kind of beauty’’.

This is a very clever animated film of Burns himself reciting the poem. This video is covered by copyright to Jim Clark who very kindly gave his permission for me to use it.


Wednesday, 29 October 2008

Poetry Wednesday; Tam O' Shanter, poetry by Rabbie Burns


 

Part of the Halloween series

Tam O' Shanter

A Tale by Rabbie Burns

Written in 1790


With original illustrations by

 

 John Faed (1820- 1902)

 

First published in 1892 Title:

Tam O'Shanter and the Witches

Illustration to the poem of Robert Burns

 

Tam o'Shanter

 

Onw of Burns' best-loved tales is the story of a farmer from Maidens who, against  his wife's good advice, gets into trouble as a result of his fondness for drink and an eye for the lasses. (no change there then . The poem is a favourite feature of Burns Suppers across the world and many Scottish pubs will give a free dram or two to anyone who can give a good recitation, start to finish, a good recital means in a good rendering of the old dialect  The story, which was inspired by the local tales Burns heard as a boy, is set in Ayr and Alloway, iand reaches its scary but comic climax at the old Brig o'Doon. Burns based its characters on his own friends and characters he knew from the local taverns. In her memoir of Burns, his wife, Jean Armour, recalls watching him laughing as he walked along the banks of the River Nith, gesturing wildly and composing the poem out loud. Perhaps more than any other of his poems, Tam o'Shanter captures the spirit of poetry that was first awakened in the young Robert Burns, sitting around the fire in Burns Cottage and listening to the ghost stories of old Betty Davidson.

 

The late medieval Brig O’Doon was chosen by Burns for the climax of his tale, Tam O’Shanter. It spans  the beautiful river Doon, the auld brig (old bridge) gives visitors a chance to walk on the very spot where Tam’s mare, Meg, made her last heroic leap for freedom - leaving her tail still in the clutches of Nan, the “Cutty Sark” witch.

 

 

 

    "Of Brownyis and of Bogillis full is this Buke."

    Gawin Douglas.

 

    When chapman billies leave the street,

    And drouthy neibors, neibors, meet;

    As market days are wearing late,

    And folk begin to tak the gate,

    While we sit bousing at the nappy,

    An' getting fou and unco happy,

    We think na on the lang Scots miles,

    The mosses, waters, slaps and stiles,

    That lie between us and our hame,

    Where sits our sulky, sullen dame,

    Gathering her brows like gathering storm,

    Nursing her wrath to keep it warm.

 

    This truth fand honest Tam o' Shanter,

    As he frae Ayr ae night did canter:

    (Auld Ayr, wham ne'er a town surpasses,

    For honest men and bonie lasses).

 

    O Tam! had'st thou but been sae wise,

    As taen thy ain wife Kate's advice!

    She tauld thee weel thou was a skellum,

    A blethering, blustering, drunken blellum;

    That frae November till October,

    Ae market-day thou was na sober;

    That ilka melder wi' the Miller,

    Thou sat as lang as thou had siller;

    That ev'ry naig was ca'd a shoe on

    The Smith and thee gat roarin' fou on;

    That at the Lord's house, ev'n on Sunday,

    Thou drank wi' Kirkton Jean till Monday,

    She prophesied that late or soon,

    Thou wad be found, deep drown'd in Doon,

    Or catch'd wi' warlocks in the mirk,

    By Alloway's auld, haunted kirk.

 

    Ah, gentle dames! it gars me greet,

    To think how mony counsels sweet,

    How mony lengthen'd, sage advices,

    The husband frae the wife despises!

 

    But to our tale: Ae market night,

    Tam had got planted unco right,

    Fast by an ingle, bleezing finely,

    Wi reaming sAats, that drank divinely;

    And at his elbow, Souter Johnie,

    His ancient, trusty, drougthy crony:

    Tam lo'ed him like a very brither;

    They had been fou for weeks thegither.

    The night drave on wi' sangs an' clatter;

    And aye the ale was growing better:

    The Landlady and Tam grew gracious,

    Wi' favours secret, sweet, and precious:

    The Souter tauld his queerest stories;

    The Landlord's laugh was ready chorus:

    The storm without might rair and rustle,

    Tam did na mind the storm a whistle.

 

    Care, mad to see a man sae happy,

    E'en drown'd himsel amang the nappy.

    As bees flee hame wi' lades o' treasure,

    The minutes wing'd their way wi' pleasure:

    Kings may be blest, but Tam was glorious,

    O'er a' the ills o' life victorious!

 

    But pleasures are like poppies spread,

    You seize the flow'r, its bloom is shed;

    Or like the snow falls in the river,

    A moment white-then melts for ever;

    Or like the Borealis race,

    That flit ere you can point their place;

    Or like the Rainbow's lovely form

    Evanishing amid the storm. -

    Nae man can tether Time nor Tide,

    The hour approaches Tam maun ride;

    That hour, o' night's black arch the key-stane,

    That dreary hour he mounts his beast in;

    And sic a night he taks the road in,

    As ne'er poor sinner was abroad in.

 

    The wind blew as 'twad blawn its last;

    The rattling showers rose on the blast;

    The speedy gleams the darkness swallow'd;

    Loud, deep, and lang, the thunder bellow'd:

    That night, a child might understand,

    The deil had business on his hand.

 

    Weel-mounted on his grey mare, Meg,

    A better never lifted leg,

    Tam skelpit on thro' dub and mire,

    Despising wind, and rain, and fire;

    Whiles holding fast his gude blue bonnet,

    Whiles crooning o'er some auld Scots sonnet,

    Whiles glow'rin round wi' prudent cares,

    Lest bogles catch him unawares;

    Kirk-Alloway was drawing nigh,

    Where ghaists and houlets nightly cry.

 

    By this time he was cross the ford,

    Where in the snaw the chapman smoor'd;

    And past the birks and meikle stane,

    Where drunken Charlie brak's neck-bane;

    And thro' the whins, and by the cairn,

    Where hunters fand the murder'd bairn;

    And near the thorn, aboon the well,

    Where Mungo's mither hang'd hersel'.

    Before him Doon pours all his floods,

    The doubling storm roars thro' the woods,

    The lightnings flash from pole to pole,

    Near and more near the thunders roll,

    When, glimmering thro' the groaning trees,

    Kirk-Alloway seem'd in a bleeze,

    Thro' ilka bore the beams were glancing,

    And loud resounded mirth and dancing.

    Inspiring bold John Barleycorn!

    What dangers thou canst make us scorn!

    Wi' tippenny, we fear nae evil;

    Wi' usquabae, we'll face the devil!

    The swats sae ream'd in Tammie's noddle,

    Fair play, he car'd na deils a boddle,

    But Maggie stood, right sair astonish'd,

    Till, by the heel and hand admonish'd,

    She ventur'd forward on the light;

    And, wow! Tam saw an unco sight!

 

    Warlocks and witches in a dance:

    Nae cotillon, brent new frae France,

    But hornpipes, jigs, strathspeys, and reels,

    Put life and mettle in their heels.

    A winnock-bunker in the east,

    There sat auld Nick, in shape o' beast;

    A towzie tyke, black, grim, and large,

    To gie them music was his charge:

    He screw'd the pipes and gart them skirl,

    Till roof and rafters a' did dirl. -

    Coffins stood round, like open presses,

    That shaw'd the Dead in their last dresses;

    And (by some devilish cantraip sleight)

    Each in its cauld hand held a light.

    By which heroic Tam was able

    To note upon the haly table,

    A murderer's banes, in gibbet-airns;

    Twa span-lang, wee, unchristened bairns;

    A thief, new-cutted frae a rape,

    Wi' his last gasp his gabudid gape;

    Five tomahawks, wi' blude red-rusted:

    Five scimitars, wi' murder crusted;

    A garter which a babe had strangled:

    A knife, a father's throat had mangled.

    Whom his ain son of life bereft,

    The grey-hairs yet stack to the heft;

    Wi' mair of horrible and awfu',

    Which even to name wad be unlawfu'.

    Three lawyers tongues, turned inside oot,

    Wi' lies, seamed like a beggars clout,

    Three priests hearts, rotten, black as muck,

    Lay stinkin, vile in every neuk.

 

    As Tammie glowr'd, amaz'd, and curious,

    The mirth and fun grew fast and furious;

    The Piper loud and louder blew,

    The dancers quick and quicker flew,

    The reel'd, they set, they cross'd, they cleekit,

    Till ilka carlin swat and reekit,

    And coost her duddies to the wark,

    And linkit at it in her sark!

 

    Now Tam, O Tam! had they been queans,

    A' plump and strapping in their teens!

    Their sarks, instead o' creeshie flainen,

    Been snaw-white seventeen hunder linen!-

    Thir breeks o' mine, my only pair,

    That ance were plush o' guid blue hair,

    I wad hae gien them off my hurdies,

    For ae blink o' the bonie burdies!

    But wither'd beldams, auld and droll,

    Rigwoodie hags wad spean a foal,

    Louping an' flinging on a crummock.

    I wonder did na turn thy stomach.

    But Tam kent what was what fu' brawlie:

    There was ae winsome wench and waulie

    That night enlisted in the core,

    Lang after ken'd on Carrick shore;

    (For mony a beast to dead she shot,

    And perish'd mony a bonie boat,

    And shook baith meikle corn and bear,

    And kept the country-side in fear);

    Her cutty sark, o' Paisley harn,

    That while a lassie she had worn,

    In longitude tho' sorely scanty,

    It was her best, and she was vauntie.

    Ah! little ken'd thy reverend grannie,

    That sark she coft for her wee Nannie,

    Wi twa pund Scots ('twas a' her riches),

    Wad ever grac'd a dance of witches!

 

    But here my Muse her wing maun cour,

    Sic flights are far beyond her power;

    To sing how Nannie lap and flang,

    (A souple jade she was and strang),

    And how Tam stood, like ane bewithc'd,

    And thought his very een enrich'd:

    Even Satan glowr'd, and fidg'd fu' fain,

    And hotch'd and blew wi' might and main:

    Till first ae caper, syne anither,

    Tam tint his reason a thegither,

    And roars out, "Weel done, Cutty-sark!"

    And in an instant all was dark:

    And scarcely had he Maggie rallied.

    When out the hellish legion sallied.

 

    As bees bizz out wi' angry fyke,

    When plundering herds assail their byke;

    As open pussie's mortal foes,

    When, pop! she starts before their nose;

    As eager runs the market-crowd,

    When "Catch the thief!" resounds aloud;

    So Maggie runs, the witches follow,

    Wi' mony an eldritch skreich and hollow.

 

    Ah, Tam! Ah, Tam! thou'll get thy fairin!

    In hell, they'll roast thee like a herrin!

    In vain thy Kate awaits thy comin!

    Kate soon will be a woefu' woman!

    Now, do thy speedy-utmost, Meg,

    And win the key-stone o' the brig;^1

    There, at them thou thy tail may toss,

    A running stream they dare na cross.

    But ere the keystane she could make,

    The fient a tail she had to shake!

    For Nannie, far before the rest,

    Hard upon noble Maggie prest,

    And flew at Tam wi' furious ettle;

    But little wist she Maggie's mettle!

    Ae spring brought off her master hale,

    But left behind her ain grey tail:

    The carlin claught her by the rump,

    And left poor Maggie scarce a stump.

 

    Now, wha this tale o' truth shall read,

    Ilk man and mother's son, take heed:

    Whene'er to Drink you are inclin'd,

    Or Cutty-sarks rin in your mind,

    Think ye may buy the joys o'er dear;

    Remember Tam o' Shanter's mare.


[Footnote 1: It is a well-known fact that witches, or any evil spirits, have no power to follow a poor wight any further than the middle of the next running stream. It may be proper likewise to mention to the benighted traveller, that when he falls in with bogles, whatever danger may be in his going forward, there is much more hazard in turning back.-R. B.]

full size illustrations here

http://forgetmenot525.multiply.com/photos/album/197/Tam_O_Shanter_illustrations